S\u0103 citesc Dan Brown e ca \u0219i c\u00e2nd m\u0103 uit la un film de ac\u021biune cu foate multe efecte speciale, bine realizate, care m\u0103 captiveaz\u0103. Un film u\u0219urel, l\u00e2ng\u0103 care merge ron\u021b\u0103it\u0103 o pung\u0103 cu chispuri sau popcorn. Nu m\u0103 pune pe g\u00e2nduri, nu m\u0103 intrig\u0103, e doar o pl\u0103cere de a-l urm\u0103ri \u0219tiind c\u0103 la final am s\u0103 trag un pui zdrav\u0103n de somn. Codul lui DaVinci- am v\u0103zut \u00eent\u00e2i filmul. A\u0219a c\u0103 era timpul s\u0103 citesc \u0219i cartea. <\/p>\n\n\n\n
De ce s\u0103 cite\u0219ti cartea? <\/strong><\/p>\n\n\n\n De relaxare. Ai parte de o intrig\u0103 decent\u0103, \u0219i de o sumedenie de simboluri care mai de care mai sofisticate la prima vedere. Personajele nu \u00ee\u021bi pun probleme, sunt clar conturate \u0219i nu ajungi s\u0103 te \u00eentrebi \u201eCe naiba are omul \u0103sta de reac\u021bioneaz\u0103 a\u0219a?!?!\u201d <\/p> Te plimbi prin muzeul Luvru \u0219i case de bog\u0103ta\u0219i. E\u0219ti prins \u00eentre organizatii secrete precum Prioria din Sion sau Opus Dei, a c\u0103ror scop nu iti este clar din prima, mai ales dac\u0103 acum auzi prima dat\u0103 de ele. Aaaaa, \u0219i s\u0103 nu uit de teorii ale conspira\u021biei. Multe! <\/p> Autorul foloseste opere de art\u0103, documente, ritualuri secrete \u0219i obiective arhitecturale, reale. Cum le foloseste si ce le atribuie e deja fictiune \u0219i talent de scriitor. Dar sentimentul c\u0103 tocmai e\u0219ti pus \u00een fata unor descoperiri fantastice este foarte pl\u0103cut. <\/p><\/blockquote>\n\n\n\n Pasajul meu preferat<\/strong><\/p>\n\n\n\n \u201eBiroul lui Tebing nu sem\u0103na cu nici o alt\u0103 \u00eenc\u0103pere cu acea\u0219i destina\u021bie din c\u00e2te v\u0103zuse Sophie vreodat\u0103. De \u0219ase sau \u0219apte ori mai \u00eentins decat cele mai luxoase birouri, le cabinet de travail al lui Sir Leigh p\u0103rea un soi de hibrid \u00eentre un laborator de cercetare, o bibliotec\u0103 de arhiv\u0103 \u0219i un t\u00e2rg de vechituri. Iluminat\u0103 de trei candelabre suspendate de plafon, pardoseala care p\u0103rea nesfarsit\u0103 era pres\u0103rat\u0103 cu insuli\u021be formate din mese de lucru \u00eengropate sub gr\u0103mezi de c\u0103r\u021bi, lucr\u0103ri de art\u0103, artefacte \u0219i surprinz\u0103tor de multe echipamente electronice: computere, proiectoare, microscoape, copiatoare si scanere de cercetare.\u201d <\/p><\/blockquote>\n\n\n\n M\u0103rturisesc, acesta este genul meu de birou, spa\u021biu de lucru- numi\u021bi-l cum vre\u021bi. A\u0219 fi foarte inspirat\u0103 \u00eentr-un asemenea spa\u021biu \u00een care mi-a\u0219 aranja toate, dar absolut toate interesele la un loc. <\/p>\n\n\n\n Un loc de cinste \u00een cartea aceasta \u00eel au simbolurile, cred c\u0103 \u0219i de asta e at\u00e2t de pl\u0103cut\u0103 la citit. Dar suntem \u00eenconjura\u021bi de simboluri \u0219i \u00een via\u021ba de zi cu zi. C\u0103 mai avem sau nu mai avem ochi s\u0103 le vedem, s\u0103 le descoperim, asta e altceva. <\/p>\n\n\n\n Via\u021ba tr\u0103it\u0103 ca un mister, a\u0219a mi-a spus cineva odat\u0103, demult: \u201eAndrea, s\u0103 \u00ee\u021bi tr\u0103ie\u0219ti via\u021ba ca pe cel mai mare \u0219i frumos mister de care ai parte…\u201d Vorbele astea le-am pus la loc de cinste, chiar dac\u0103 atunci nu am \u00een\u021beles pe deplin la ce se refer\u0103. Mai tarziu \u00eens\u0103, c\u00e2nd am ajuns s\u0103 tr\u0103iesc \u00eentr-un ritm mult prea rapid pentru a m\u0103 mai \u0219i putea bucura de ceva, am \u00een\u021beles. <\/p>\n\n\n\n Asta \u00ee\u021bi spun \u0219i \u021bie, acum: las\u0103 misterul vie\u021bii s\u0103 te cuprind\u0103. F\u0103-\u021bi timp pentru el. <\/p>\n\n\n\n A.N <\/p>\n\n\n\n <\/p>\n\n\n\n Foto arhiv\u0103 personal\u0103<\/p>\n","protected":false},"excerpt":{"rendered":" S\u0103 citesc Dan Brown e ca \u0219i c\u00e2nd m\u0103 uit la un film de ac\u021biune cu foate multe efecte speciale,…<\/p>\n","protected":false},"author":1,"featured_media":1230,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[454],"tags":[589,541,588,584,590,471,472,583,581,582,578,591,586,370,585,587,371],"class_list":["post-1201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jurnal-de-lectura","tag-actiune","tag-carte","tag-conspiratii","tag-davinci","tag-fuga","tag-jurnal","tag-lectura","tag-luvru","tag-mister","tag-paris","tag-recenzie","tag-ritm","tag-secrete","tag-sens","tag-simbolistica","tag-teori","tag-viata","post-archive"],"_links":{"self":[{"href":"https:\/\/blog.andreaneag.com\/index.php?rest_route=\/wp\/v2\/posts\/1201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.andreaneag.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.andreaneag.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.andreaneag.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.andreaneag.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1201"}],"version-history":[{"count":3,"href":"https:\/\/blog.andreaneag.com\/index.php?rest_route=\/wp\/v2\/posts\/1201\/revisions"}],"predecessor-version":[{"id":1232,"href":"https:\/\/blog.andreaneag.com\/index.php?rest_route=\/wp\/v2\/posts\/1201\/revisions\/1232"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.andreaneag.com\/index.php?rest_route=\/wp\/v2\/media\/1230"}],"wp:attachment":[{"href":"https:\/\/blog.andreaneag.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.andreaneag.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.andreaneag.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}